Thursday 29 August 2013

Percy Jackson: Sea Of Monsters 3D Movie Review

Percy Jackson: Sea Of Monsters 3D Movie Review

Percy Jackson: Sea Of Monsters 3D Movie Review | Sea Of Monsters 3D Movie Review

Get updates on Percy Jackson: Sea Of Monsters 3D Movie Review, Percy Jackson: Sea Of Monsters (3D English) (U/A), Ratings, Story, Release Date, Wallpapers, Cast and Crew Details


Percy Jackson: Sea of Monsters Review
  • Film : Percy Jackson: Sea of Monsters
  • Producer : Michael Barnathan, Karen Rosenfelt
  • Director : Thor Freudenthal
  • Star Cast : Logan Lerman, Brandon T. Jackson, Alexandra Daddario...
  • Music Director : Andrew Lockington
  • Rating :
    fullfullfullfullfull2.5
Thor Freudenthal directed Percy Jackson: Sea of Monsters 3D. Percy Jackson: Sea of Monsters 3D Movie Review brings into prominence that it is the sequel to Percy Jackson and the Olympians: The Lightning Thief -- both of which are based on Rick Riordan's best-selling fantasy book series. Riordan's action- and humor-packed tales are enormously popular with elementary-school readers, yet, like its predecessor, this big-screen adaptation does include violence and destruction-filled scenes (and a few presumed deaths) that could scare younger kids -- even if they're familiar with the story. Unlike the first movie, there aren't any inappropriate references to sexy women otherwise relationships. Ultimately, this is a hero's journey in which a main character along with his friends save each other and vanquish evil.

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Story :

Percy Jackson: Sea of Monsters picks up a year subsequent to the events of the first movie, Percy Jackson and the Olympians: The Lightning Thief, accompanying Percy (Logan Lerman) — Poseidon’s half-human, son of mythological being — living in Camp Half Blood with his best friends, fellow demigod Annabeth (Alexandra Daddario) and satyr Grover (Brandon T. Jackson). When a Colchis Bull breaches the protective barrier provided by Thalia’s Pine Tree (a gods-created tree that grew from the body of a dead young demigod), the tree starts to decay. Without the tree, anyone could enter Camp Half Blood and kill the demigods, so Percy, Annabeth, and Grover decide they must embark on a dangerous mission to the Sea of Monsters (the Bermuda Triangle) to find the legendary Golden Fleece, which has magical healing properties. Yet they’re not the only ones trying to find the fleece — the first movie’s villain, half-blood Luke (Jake Abel), wants it, too … to restore to life the biggest, baddest god of all , Kronos.

Analysis :

Percy Jackson: Sea of Monsters-review

You possibly might already be knowing that Mount Olympus was the home of the Greek gods, yet did you know all you have to do is take an elevator secretly located inside the Empire State Building to get there? I was equally shocked to learn Medusa runs a greenhouse in New Jersey and lotus eaters have taken up residence in Las Vegas. Next thing you’re going to tell me is Hell is located in Hollywood. Wait… What? It is?
Based on the popular teen novels written by Rick Riordan, Percy Jackson and the Olympians: The Lightning Thief is anticipating to catch on like Harry Potter at the theaters, so much so the director of the first two Potter features, Chris Columbus, duped Fox into hiring him for the gig. Nevertheless, Fox must have forgotten this was the same guy that directed I Love You Beth Cooper for the studio only a year ago, justifying his talents do have limits, as does the filmed version of Percy Jackson.

Telling the story of its title character, played by 18-year-old Logan Lerman — a gifted young actor who had an excellent turn in My One and Only — we learn early on Percy Jackson is the son of Poseidon, yet as it turns out the Gods aren’t the stay at home type of parents and Percy has no idea who is father is. This origin story of sorts finds its footing as Zeus’s lightning bolt is stolen (not exactly sure how that happens), and the King of the Gods places the blame on his nephew Percy and has given him 14 days to return it or a war of the Gods will begin. Scary right? I mean, warring Gods can’t be good and it’s represented in the film by a big scary rain cloud (sans lightning of course). Viewing how the Gods serve as absentee parents, a magical training facility is set up in the woods for their half-human, half-god children (referred to as demigods) to bone up on their sword fighting. What they’re training rigorously to do is never mentioned, but I guess it doesn’t really matter since logic and story details have no real place here. To make up for it the story tries to move along fast enough so you won’t notice. So just as soon as Percy joins this band of forest dwellers it isn’t long before he learns Hades (Steve Coogan) has taken his mom (Catherine Keener) hostage, causing Percy to set off on the highway to Hell with his half-goat friend (Brandon T. Jackson) and the film’s young love interest (Alexandra Daddario).

All of this may sound delightful as well as entertaining in digital ink and after seeing a couple of trailers I expected it to be just that. Regrettably it’s just boring. Columbus’s direction of this picture is paint-by-numbers. Its only interest seems to be in getting into the core of ratings and doing it as quickly and painlessly as possible. Should the scene call for a big action set piece filled with CGI Columbus delivers it just as expected and as seen in any number of other films like it. Boring. While the idea of Gods and their children living secretly among us is a remarkable thought, this film is as straight to the point as it could be. It accepts its silliness, yet I can’t. Too much goes unanswered and what’s left is, for the most part, uninteresting. It all boils down to people battling CGI monsters or hurling CGI weapons at one another. So much money goes into the effects that the studio hopes you’ll forgive the plot holes. Even worse, outside of a rather cool water-logged finale the effects didn’t do much for me either.

Uma Thurman pulled off the Medusa role accompanying a satisfying bit of jeopardize and charm, but her head of snakes was a reason of distraction than making it impressive. Steve Coogan as Hades is inspired casting, and I got a kick out of seeing him in the role subsequent to realizing it was him, yet as the scene progresses he shifts into the passionate God to prove a point and all I could think was Wow, they just wasted a lot of money for a joke that wasn’t even funny. The entertainment factor in Percy Jackson and the Olympians: The Lightning Thief is shorter-lived than its long-winded title. The actors play their parts with such lacking liveliness enthusiasm it’s hard to ever get into the story, but perhaps that’s because there is so little holding the story together there wasn’t much for them to get excited about. I’ve heard the books are entertaining, good thing, due to the reason the movie’s not.

Performance :

Percy Jackson: Sea of Monsters-review

The title character, played by 18-year-old Logan Lerman — a gifted young actor who had an excellent turn in My One and Only — we learn early on Percy Jackson is the son of Poseidon, yet as it turns out the Gods aren’t the stay at home type of parents and Percy has no idea who is father is. To make up for the whole fantasy actions the story tries to further along fast enough so you won’t notice. So just as soon as Percy joins this band of forest dwellers it isn’t long before he learns Hades (Steve Coogan) has taken his mom (Catherine Keener) hostage, causing Percy to set off on the highway to Hell with his half-goat friend (Brandon T. Jackson) and the film’s young love interest (Alexandra Daddario).

Uma Thurman pulled off the Medusa role accompanying a satisfying bit of jeopardize and charm, but her head of snakes was a reason of distraction than making it impressive. Steve Coogan as Hades is inspired casting, and I got a kick out of seeing him in the role subsequent to realizing it was him, yet as the scene progresses he shifts into the passionate God to prove a point and all I could think was Wow, they just wasted a lot of money for a joke that wasn’t even funny.

The actors play their parts with such lacking liveliness enthusiasm it’s hard to ever get into the story, but perhaps that’s because there is so little holding the story together there wasn’t much for them to get excited about.

Final Word: Percy Jackson: Sea Of Monsters 3D Movie Review Now, coming to the factor that is it any good, Rick Riordan’s Percy Jackson series is beloved by both tentative readers as well as die-hard book addicts, so it’s a shameful that the movies based on his richly depicted demigod universe aren’t nearly as good as his fantasy novels. It’s not the cast, due to the fact that Lerman (The Perks of Being a Wallflower) is a terrific young actor — although at 21 he’s too old to play the teenage Percy ever again. That’s fine, because it’s unlikely the franchise will continue after such a lacking liveliness follow-up to the already less-than-amazing first adaptation.

There’s something remarkably telling about checking your watch several times during a movie that’s 107 minutes long. There are a couple of bright spots such as when Nathan Fillion pops up playing Hermes and makes an obvious Firefly joke about brilliant shows that are cancelled too soon, and the matchless Ron Perlman playing the voice of blind and starving cyclops Polyphemus — yet otherwise this entire quest is a rather epic disappointment lacking excellence of the Percy Jackson name. You might watch it, but suggested that you skip the adaptations and just read the excellent books. Now, it’s your go! I would rate this movie with 2. 5 star.


(AW:SB)

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  • Percy Jackson: Sea Of Monsters 3D Movie Review
  • Percy Jackson: Sea Of Monsters 3D Movie Review
  • Percy Jackson: Sea Of Monsters 3D Movie Review
  • Percy Jackson: Sea Of Monsters 3D Movie Review
  • Percy Jackson: Sea Of Monsters 3D Movie Review
  • Percy Jackson: Sea Of Monsters 3D Movie Review

Satyagraha Movie Review

Satyagraha Movie Review

Satyagraha |  Satyagraha Movie Review | Ratings

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Satyagraha Review
  • Film : Satyagraha
  • Producer : Prakash Jha, Ronnie Screwvala, Siddharth Roy Kapur
  • Director : Prakash Jha
  • Star Cast : Amitabh Bachchan, Ajay Devgn, Kareena Kapoor, Arjun Rampal, Manoj Bajpai, Amrita Rao
  • Music Director : Salim & Sulaiman, Adesh Shrivastava, Indian Ocean
  • Rating :
    fullfullfullfullfull3.5

Prakash Jha's "Satyagraha" bears no resemblance to his previous political dramas nor does it entirely bet on Anna Hazare's Jan Lokpal Andolan and it is certainly not a sequel to his last outing “Rajneeti”. Rather, “Satyagraha” is the director's infallible attempt to capture the anguish of hoi polloi, beaten down by corruption and unjust system. It orbs around a movement initiated by the middle class Indians to hammer out a deal with the corrupt system and retrieve transparency in democracy.

Prakash Jha spares none in this movie — everyone from the deceitful babus to unscrupulous politicians are brought to book here. An impeccably narrated plot, “Satyagraha” does borrow inspiration from a slew of real-life episodes — “the Anna Hazare movement, the murder of the whistle-blower who exposed the road mafia and the telecom scam, besides highlighting the police attack on public and the candle light protests”, but remains unbiased in its treatment. Realistic, hard-hitting and forceful, Jha's new outing leaves a “hammer-strong impact”.

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Story :

“Satyagraha” is the story of a Gandhian [Amitabh Bachchan], a go-getter industrialist who epitomizes the modern India shining philosophy [Ajay Devgn], a social activist aspiring to be a politician [Arjun Rampal], a gutsy political journalist [Kareena Kapoor Khan] and a foxy politician [Manoj Bajpai] who would stop at nothing to break the system.

Manav Raghvendra (Ajay Devgn) is a highly ambitious Delhi based entrepreneur who runs a telecom company. His towering aspirations exposes him to the brutal realities of Indian politics and nepotism. Balram Singh (Manoj Bajpai), a conniving politician, wrecks his ideals and ambitions, and wrongly frames him in a tele scam.

Implicated of double-crossing and killing his morals, he loses the trust of his ladylove Yasmin Ahmed (Kareena Kapoor Khan) and Dwarka Anand (Amitabh Bachchan), his ideal and a school principal.
Devastated, Manav decides to hit back at the corruption and launches a protest that soon turns into nation-wide protest supported by Yasmin, Dwarka and Arjun. From here flags off a massive movement to mow down the corrupt system and derail the government.

An unsullied mix of emotions, drama and political satire, Jha's laudable attempt to fit a gigantic act into a cinematic jar is commendable.

Analysis :

Satyagraha-review

For Jha, the veteran of political thrillers, executing a plot as such with aplomb is certainly a child's play. The movie is strewn with several episodes that not only instils anger and disgust for the system, but also keeps you hooked up all throughout.

Brownie points to Jha for deftly including songs in the narrative, with 'Raske Bhare Tore Naina' [Aadesh Shrivastava] and 'Raghupati Raghav Raja Ram' [Salim-Sulaiman] jazzing up the goings-on. Sachin Krishn's cinematography frames the anger and angst with precision. Dialogues are biting, bitter and absorbing.

Performance :

Satyagraha-review

“Satyagraha” is bedecked with ingenious, real performances. Devgn is the body of “Satyagraha” while Amitabh is its soul. And Bajpai is its 'satanic temptation,' doling out a smooth performance, hair-raising in its perfection. Amitabh Bachchan articulates the movie's philosophy - "Janta sarkaar ki malik hai. Malik nirdesh deta hai. Maang nahin karta."

Mr. Bachchan stands unparalleled in yet another stellar performance, one of his bests in the recent times. Ajay breathes fire into the tale poignantly. Kareena is matchless in her role of a strong, fearless journalist. Arjun too delivers a towering performance that shows that the actor has truly come miles when it comes to his caliber. Manoj Bajpai is diabolical and ruthless to the hilt, sashaying the evil streak flawlessly. Last but not the least, Amrita Rao impresses in a noteworthy role, and leaves a strong impact.

Indraneil Sengupta cameo is impressive. Vipin Sharma and Vinay Apte are top notch. Mugdha Godse , Manoj Kolhatkar, Ajay Trehan, Shireesh Sharma, and Girish Sahdev add to the film with their competent performances.
Final Word: Satyagraha Movie Review To cut the long story short, Prakash Jha's “Satyagraha” is an engaging, compelling socio-political drama that gapers the stark reality around us. Yet another laud-worthy addition to Prakash Jha's impressive repertoire, “Satyagraha” will go down in the history of cinema as a politically momentous motion picture. This hard-hitting fare is a must-watch!

Satyagraha Releases on 30th Aug 2013
(AW:Suchorita Dutta)

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Thursday 22 August 2013

The Light: Swami Vivekananda Movie Review

The Light: Swami Vivekananda Movie Review

The Light: Swami Vivekananda | The Light: Swami Vivekananda Review |  The Light: Swami Vivekananda Movie Review | The Light: Swami Vivekananda Rating | The Light: Swami Vivekananda Stills | The Light: Swami Vivekananda Movie Wallpapers | The Light: Swami Vivekananda Teaser | The Light: Swami Vivekananda Trailer |  Utpal (Tutu) Sinha | The Light: Swami Vivekananda | Deep Bhattacharya | Gargi Roy Choudhury | Premankur Chattopadhyay | The Light: Swami Vivekananda Latest News | Photos | Biography | Videos And Wallpapers | Morningcable.com

The Light: Swami Vivekananda, The Light: Swami Vivekananda Movie Review, The Light: Swami Vivekananda is a bilingual Bengali and Hindi film, Get latest Updates on The Light: Swami Vivekananda Review, The Light: Swami Vivekananda Movie Review, The Light: Swami Vivekananda Hindi Movie Review, The Light: Swami Vivekananda Rating, The Light: Swami Vivekananda Stills, The Light: Swami Vivekananda Movie Wallpapers, The Light: Swami Vivekananda teaser, The Light: Swami Vivekananda trailer and more on moringcable


The Light: Swami Vivekananda Review
  • Film : The Light: Swami Vivekananda
  • Producer : Tri Colour productions private limited
  • Director : Utpal (Tutu) Sinha
  • Star Cast : Deep Bhattacharya, Gargi Roy Choudhury, Premankur Chattopadhyay, Courtney Stephens...
  • Music Director : Nachiketa and Dr. Haricharan Verma
  • Rating :
    fullfullfullfullfull3
The Light: Swami Vivekananda (2013) movie review tells us about a bilingual (Bengali and Hindi) film directed by Utpal (Tutu) Sinha and produced by Tri Colour productions private limited. The film is based on the life and teaching of Swami Vivekananda. The film was was dubbed in 18 languages happens to be a tribute to Vivekananda on the 150th anniversary of his birth.

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Story :

The Light: Swami Vivekananda (2013) film captures the noteworthy life of Swami Vivekananda. The film beautifully showcases the transition from young Narendra Nath Datta to world preacher Swami Vivekananda. Accompanied by various events from his life commencement from childhood days to meeting with the mystic saint Ramakrishna at Dakshineswar, Vivekananda’s travel to Northern India, travel to the West (America, Europe), meeting along with Sister Nivedita, and his works in India have been captured, thereby building his journey from being Narendranath to Vivekananda through various phases.

Analysis :

The Light: Swami Vivekananda-review
The film The Light: Swami Vivekananda (2013) furthers showcasing again that some films are still made in Tollywood, which do not get any exaggerated publicity, yet are good works of art in their own right. If we are able to recollect Egaro as well. Nevertheless, in this case, the director has been blessed with a script that leaves little scope for going wrong. Accompanied by the evidence of the former existence of the life of Swamiji, is a lifetime opportunity of playing with innumerable emotions on screen, along with amazing people who had co existed at one point in history. There remains a fortune of going overboard otherwise not emphasizing sufficiently important moments, fortunately that has been neglected in the film. The film takes us through the landmarks in Swamiji's life, yet does not reside for too long in any one particular incident.

Performance :

The Light: Swami Vivekananda-review
The film The Light: Swami Vivekananda (2013) opens characterized by the incident where a young Bile throws out clothes to the needy from his window. It genuinely gives us a feel of the things to come. Biswanath as Bile's advocate father has done a good job, as is regarded as likely of him. Even though there are a few lack of consistence. Why the Hanuman Chalisa would be sung in Maithili in an out and out Bengali household? Afterward Gargi, who is still understandable as the young Ma Sarada, looks exactly the same even after Ramakrishna's death, even when Swami Vivekananda is dying. Basic make-up could have taken care of it. Deep, is a perfect fit for the role of Swamiji. Accompanying large penetrating eyes and a good enough range of emotions, he has tried his best to be Swamiji on screen. His frustration trying to find a job subsequent to his father's death, his helplessness when the Universe is revealed to him by Ramakrishna, his sudden outburst of anger at Khetri Royal court, is good work. In fact we also liked his offensively familiar way when initially he is sceptical about Ramakrishna's being an ascetic. Yet his hindi is really not good, and he should have worked on it. As well as when two iron wills meet, in the US during his encounter with Rockeffeler, or when advising Jamshedji Tata on board the ship, he is not very convincing. Adorned in his outward appearance gifted by the Maharaja of Khetri at the Chicago speech, Deep has looked as much as he could like Swamiji, but alas, it is not his fault that such a magnetic speech can never be reproduced on screen.

Premankur as Thakur Ramakrishna has appeared as well played the great sage to the hilt. The typical position of fingers during bhab samadhi, otherwise his toothless smile, are good examples of acting. One small hindrance is that the man is too healthy to be an ascetic suffering from cancer. We had seen this earlier when Mithun had played Ramakrishna. In Hollywood, the actor would have probably gone on a diet subsequent to shooting. Special mention must be made of Archita Sahu as Moina Bai. When Swamiji calls her mother and blesses her, the wonderful range of emotions, fear, devotion, respect as well as bliss, has been done marvelously by her. The music by Nachiketa as well Dr. Haricharan Verma is undoubtedly good, to emphasize the song Tumi hriday nadi along with the title track.
Final Word:There shouldn’t be any doubt in the fact that this film even though not stressed towards any specific group in society otherwise people, yet would be appreciated and justified by the different minds in the society. The point to emphasize here that everyone wouldn’t feel comfortable watching it not because it's not a typical subject of romance, but because it has got highest degree of depth about swamijis life. The matter of fact that everyone must watch this film along with their families for the special reason that it's genuinely a great opportunity for millions to experience the great swamiji and get inspired by his powerful words! I am a follower of his philosophy and I pray him everyday. I feel we must know thoroughly about the great Swami Vivekananda, a Hindu monk and thinker from West Bengal who elevated India’s spirituality on the international forum. I rate the film  The Light: Swami Vivekananda (2013) with 3 star. Don't miss this opportunity, get inspired!

The Light: Swami Vivekananda Releases on 23th Aug 2013

(AW:SB)

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